Ask a musician about
the source of her inspiration and see where it gets you. The usual
response to this vaguest of journalistic in-quiries is a long
pause and a spree of awkward mumbling fol-lowed by a rushed allusion
to some arcane inner drive. And then there's Australian chanteuse
Tania May-Bowers, who takes about a second before explaining:
"The first place I recorded this album was in a house overlooking
a beach. Everywhere there was huge glass, and wherever you played,
you saw the sea."
Not the most concrete answer at first, especially considering
that Tania's debut, under the name Via Tania, hardly abounds in
maritime references. Only after listening closely to the record,
titled ‘Under a Different Sky,’ do things begin to slide into
place. Anchored by deep bass swells and buoyed by crests of rolling
guitar and Tania's smoke--and-mirror vocals, Sky's songs evoke
all the majestic sweep and mysterious depths of the ocean that
surrounds her island continent. Via Tania's music mimics the sea
as well, taking a complex approach that blends the electronic
savvy of trip-hop with the sloe-eyed slither of torch songs, the
spare keyboards subtly shifting as if subject to a subliminal
lunar pull. |
It's a striking accomplishment
for a woman whose previous mu-sical output originated in the dry
American Midwest. Tania, enticed by a need to travel (an urge
that she says suffuses all Australians), moved to Chicago four
years ago, quickly finding a home among the city's flock of prominent
musicians. She spent her time there singing background vocaIs
on albums by Joan of Arc and other heartland indie heartthrobs.
Now, after returning home, she's created an album that stands
separate from the balkanized genres of the USA, one that embraces
both a devout intimacy and an impressionistic sense of space in
an entranc-ing and unique way. But ask her for further detail,
and the ambiguities finally surface. "I just did it in my house
and with different friends who had studios," she shrugs modestly.
"We just kind of pieced it together."
By: Reed Jackson
Photo: Lara Gray |